Attended the fine art department meeting today. The cost cutting by the present government means there is a deficit in the budget allocated to schools. This has led to the professional practice module withdrawn from the curriculum, and also a loss of the visiting lectures . The chairman, and most, if not all of the tutors, saw this as a great loss to both the fine art department, and especially to the students. I know it has been reconstituted in a watered down version, as a video presentation for marking purposes, nevertheless, it is not quite the same as the real thing. I believe this will have a detrimental effect for the college and students alike (I would wager NCAD would have a professional practice module !).Finished the jigsaw today at long last ! Took some photos of same. I have placed some blank jigsaw pieces on top of the jigsaw and photographed it. It looks visually very effective, and adds a sense of enigma to the puzzle.
RICHARD J. WILLIAMS ARTIST / TEACHER. ALSO FORMER PRACTICE DIARY IN ART COLLEGE
Saturday, January 10, 2009
08/01/2009
My "ceci n'est pas une simulacrum" piece is finished.I used a jigsaw (funnily enough!) to cut off the excess white board which the jigsaw puzzle was on, it was no addition to the piece. Sanded the edges, then painted the edges with yellow acrylic. I could not find an exact replica of the font used in Magritte's painting, however, the one I chose is near enough. I printed it off on Microsoft word and used some carbon paper to copy out on to the board, obviously I had to plan out the exact positioning of the wording. I then stuck a smoking pipe to the the piece. I have to say I, the piece has worked out exactly as I had planned. (which is always a bonus!)
I took a photograph of the piece , which I then took to the developers, and ordered a jigsaw of the photograph. The jigsaw worked out very well. I will take a photograph of the original again on Monday p.g. and get it blown up, and that will be the last addition to my piece for display.
What is the point of this piece eg. what is the theoretical concept behind this piece? Well, to be honest, I know exactly what I have done, a lot of thought and reading and planning has gone in to this piece but I am inviting the spectator to figure it out for themselves !
07/01/2009
One of my colleagues obtained advertising boards with images on the them, and had finished their use of them. They were going to dispose of them, so I asked if I could have a couple of them. One was blank, the other was of an air brushed woman.(It was advertising beauty products, so naturally she was airbrushed to perfection). I am going to use the image to hopefully create a painting with a "lost" look on the face, and with muted tones, create an atmospheric, ghostly composition, (perhaps something similar to Wilhelm Sasnal's portraits) I will employ jigsaw pieces to the side of the facial image, to give some texture, but also as a reference to something not completed. (I suppose unlike the airbrushed beauty, this "lost soul" has an uncertain outcome). (Perhaps like the painting!).
Tuesday, January 6, 2009
06/01/2009
I drew a jigsaw shape on to several small sheets of water colour paper which I purchased at the Tate gallery. I plan to get photographs of missing people and with the use of paint remover, superimpose the images on to the sheets. I am hoping it will give vague, sort of ethereal type images, onto the sheets.
05/01/2009
Back to college after the christmas break. I was not happy with my missing person portrait, it lacked "body" (so to speak!). I added ultramarine blue in circular strokes around the head area, to give an impression of a being, possibly existing in some other worldly, or indeed non worldly existence, lost in space, in a manner of speaking. I am happy with the result, I believe I have achieved what I set out to do,it also beefs the painting up!
Sunday, December 21, 2008
19/12/2008
In library today (artist research).
There is no such thing as coincidence, everything happens for a reason !
Whilst researching the artist/film maker, David Lynch on Wilson web, there was a reference to the film Blue velvet. It transpires that ex student (and visiting artist ) Emmet kierans, had done his thesis on the psychological aspects on the film blue velvet ! It is a small world !
A while back we had a seminar with Aine, head of third year painting. I can't remember exactly what the seminar entailed, however, one of the artists she mentioned was William sasnel. I remembered his name obviously because I was impressed by his work, so, I Wilson webbed him but there was nothing there (that happens when there is nothing about he artist written anywhere) so thought nothing of it. Later, whilst googling something or other , William sasnel came back into my mind, "did you mean Wilhelm Sasnal"? google asked me, and hey presto there he was! and what an artist ! I have a new favourite artist, and his name is Wilhelm sasnal, he is brilliant, not too dissimilar in style to Luc Tymans, Marlene Dumas, etc. His 'haunting' portraits are exactly the kind of thing I have been looking for,I will use aspects of his work for my own practice.
There is no such thing as coincidence, everything happens for a reason !
Whilst researching the artist/film maker, David Lynch on Wilson web, there was a reference to the film Blue velvet. It transpires that ex student (and visiting artist ) Emmet kierans, had done his thesis on the psychological aspects on the film blue velvet ! It is a small world !
A while back we had a seminar with Aine, head of third year painting. I can't remember exactly what the seminar entailed, however, one of the artists she mentioned was William sasnel. I remembered his name obviously because I was impressed by his work, so, I Wilson webbed him but there was nothing there (that happens when there is nothing about he artist written anywhere) so thought nothing of it. Later, whilst googling something or other , William sasnel came back into my mind, "did you mean Wilhelm Sasnal"? google asked me, and hey presto there he was! and what an artist ! I have a new favourite artist, and his name is Wilhelm sasnal, he is brilliant, not too dissimilar in style to Luc Tymans, Marlene Dumas, etc. His 'haunting' portraits are exactly the kind of thing I have been looking for,I will use aspects of his work for my own practice.
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